2010 | dir: Christopher Nolan | 148m
As I slowly approached the theatre, I squinted my eyes to avoid both the relentless brightness of the sun and the light dirt blowing across the parking lot from a harsh midday summer breeze. Looking around me, I saw maybe five, six cars in the vast ocean of pavement and curbs that formed the parking lot for this particular movie house. In front of me, was the vast, inoffensive colour scheme of my local multiplex, adorned by tiny empty poster boards and a sense of doom. I looked about me, expecting a local vagrant to warn me of the dangers within, but while there was nobody to be seen I already knew the dangers that lurked before me. While COVID-19 ravished the entire world, the large multiplex stood as stark monolithic houses of contagion and virulent disaster. You would have to be a fool to sally forth, and while the pandemic was at a lull in my local area, and the virus all but absent, I found myself opening the doors of this familiar-yet-unfamiliar establishment to go see an IMAX screening of Christopher Nolan’s Inception.
As I lathered hand sanitizer between my fingers, I took stock of the entrance of the theatre and questioned my own reality: was this a dream? Choosing Inception as the starting point for a journey back into movie theatres seemed disconcertingly appropriate, but it wasn’t an easy decision to make. I feel fortunate that my city has seen (relatively) very few cases of COVID-19, and have our local health teams and vigilant citizens to thank for that. Quarantining has been easier for me, as I have the benefit of continuing to work from home and enjoy many of my hobbies without interruption – that is, I can continue to watch a lot of movies at home. I haven’t missed the theatre experience, but I suspect that’s because there haven’t been any movies coming out to miss – and the ones that do are released digitally with instant at-home access.